While going through my magazine collection the other day I came across a 2011 issue of Digital Photo Pro Magazine. Now, I realize why I never throw magazines out, I had somehow missed this wonderful article featuring an incredible photographer Brian DeMint.
What caught my eye other than his creative photos was how the story began - 'It's suppertime when Brian DeMint returns from his 12-hour swing shift
at a rural Missouri power plant—unless, of course, he's working the
overnight. He usually grabs a slice of pizza and kisses his wife, but
then he gets to work again. Unlike most folks in Joplin who work two
jobs, DeMint doesn't moonlight as a fast-food worker or a security
guard. His other job is fashion photographer'
Amazing, a guy working a non-creative, typical job, somehow comes home from work, likely tired, and where as most people would probably sit down and watch some TV and eat a doughnut ... Brian not only goes back to work but has to somehow find this creativity that is so evident in his photographs.
DeMint later says - "I don't consider myself a commercial photographer, I turn
down nearly all assignments unless I'm given complete creative control. I
loathe parameters and prefer my unconscious mind to take me where it
likes—before conformity, logic or marketing kick in. I rarely, if ever,
preplan a shoot. For me, the modus operandi is that the model shows up,
and I get ideas on the fly and we shoot them. The ideas are influenced
by all the visuals floating around in my brain at that moment."
When asked to describe his passion DeMint replied with - "I would be more apt to call it an obsession, all my
spare time is engaged with something associated with fashion
photography: shooting, editing, studying, experimenting. Even when I
watch movies, I pay so much attention to the makeup, the attire and the
cinematography that I'm often clueless about what's happening in the
movie."
Seeing his work, I was surprised by his equipment as well, I had expected him to be using a Hasselblad or some other high end Digital camera set up, but as revealed in the article - 'He recently traded in his Canon Digital Rebel for a Nikon D90 with a kit
lens.'
He mentions -"An 18-55mm, I think, is all I need. Well, that
and the chicken warmers. You know, those $7 silver dish-reflector lights with the
clamps? I get mine at Wal-Mart because they have a 10-foot cord instead
of a 6-foot cord. They run about 20 cents more, but I feel a guy has to
splurge sometimes to get the equipment he needs."
Since that was 2011 I imagine he probably has upgraded his equipment by now, although it certainly wouldn't surprise me if he hadn't. This guy could shoot great photos with a Vintage Brownie Camera!
I really enjoy reading articles like this, about a 'typical' small town person who has a burning passion that drives them to excellence while everyone around them just keeps doing the daily grind....and I am reminded why I keep those magazines!
You can visit his site here: http://www.eyeworksphotography.com